Press
New York Fashion Week 2022
Kaltblut
ICON Germany
Vogue
‘There’s an interesting tension in Xiaomo Chen’s knitwear pieces; their pixelated patterns communicate their connection to (hard) technology, but they also look like cuddly-soft sculptures. Having considered fashion within the context of post-humanism and situated knowledge (“Which means different perspectives would cause different definitions,” they wrote), the designer’s thesis explored “the boundary between human and object; reality and virtuality.”’
The Impression
News Ried
‘Xiaomo Chen A knitwear designer from Taiwan who specializes in computer programming/knitting. “My research begins with ‘post-human’ research and focuses on ‘situational knowledge’, meaning that different perspectives define it differently. It is most often used in perspectives stemming from social constructionism, radical feminism, and postmodernism to emphasize their view that it is impossible.”’
Farm Fresh Clothing
‘Xiaomo Chen is a knitwear designer from Taiwan, specializing in personal computer programming/knitting. “My study starts off from the research of ‘Post-Human’ and focuses on ‘situated knowledge’, which usually means unique perspectives would cause distinct definitions. The term is made use of most regularly in perspectives arising from social constructionism, radical feminism, and postmodernism to emphasize their check out that complete, common information is not possible.”’
NicheArticleEzine
Author Paper
Live Mag
RT News
Scholarship Exhibition 2021
僑務電子報
Zhonglin project 365 2020
Vogue
Dazed
Ignant
CNN
i-D
FJU Talent x Fashion Scout 2020
Yahoo! News
China Times
陳曉墨以閱讀「流浪者之歌」後的讀後感及對該書的想像，透過「遊牧」的形象也象徵自己的種種經歷、及對未來的徬徨，並運用對荒漠的觀察，利用沉積岩的層狀紋理，察覺大自然的璞實與積累。
China Times
工商日報
OP News
The Femin
Mirror Media
Fashion Scout
Taipei Fashion Week 2019
台北時裝週
Yahoo
Cosmopolitan
Elle
Barzzar
China Internatinoal Graduate Fashion Week 2019
Elle
‘‘設計師從白先勇先生的短篇小說「一把青」作為表達的媒介，轉化故事主角蒙受劇創後隱藏自己原性，以頹靡及華麗裝飾的偽裝周旋餘生的概念。本作品運用新藝術時期的風格、精神、與圖案來詮釋主題靈感中華麗的外表與防禦功能。’
Sina News
紡織服裝週刊（中國）
人人焦點
中新社
中國新聞網
‘辅仁大学织品服装学院本科四年级学生陈晓墨此次携作品《防御机制》参展。他接受中新社记者采访时表示，希望通过作品，展现人物复杂的心理状态，也期待和大陆学生多交流设计理念。’
今日頭條
‘防御机制
陈晓墨
在这次的创作当中我藉由白先勇先生的短篇小说‘一把青’作为表达的媒介，主角蒙受剧创后隐藏自己的原性，以颓靡及华丽装饰的伪装周旋余生，运用新艺术时期的风格、精神、与图案来诠释主题灵感中华丽的外表与防御功能。’
中國日報網
‘在这次的创作当中我藉由白先勇先生的短篇小说‘一把青’作为表达的媒介，主角蒙受剧创后隐藏自己的原性，以颓靡及华丽装饰的伪装周旋余生，运用新艺术时期的风格、精神、与图案来诠释主题灵感中华丽的外表与防御功能。’
每日頭條
Graduation Show 2019
Beautimode
‘佳作作品二：陳曉墨《防禦機制》
陳曉墨的靈感取材自白先勇小說《一把青》，描述主角在創傷後，為了麻痺自己，刻意隱藏自己的本性，用頹靡華麗的外表偽裝堅強，麻木地度過餘生。他採用新藝術（Art Nouveau）的風格與圖案，將華麗的外表化為具防禦功能的假面具。作品透過各種針織組織以及具金屬質感的材質達到充滿層次視覺效果，他表示，一塊看起來像刺蝟面料，需要經過四小時的複雜手工整燙，而為了達到外套以及配件的裝飾效果，珍珠的加工也相當費時。
New Generation Designer Exhibition華人新秀設計師展覽 2018
LTN News
Marie Claire
陳曉墨Xiaomo Chen—2018 Collection “依存關係”
現在就讀於輔仁大學織品系的陳曉墨，擅長運用緹花針織呈現作品。此次作品 ”依存關係” 靈感來自於電影《七月與安生》，運用四色雙面提花呈現蕨類以及鐵鏽生長的型態，兩者皆非獨立生存、而是依附在既有物質上生長。在服裝上繡上許多破碎的布料、紗線及金屬，則反映內心狀態的支離破碎。而服裝輪廓上寬鬆的線條，是希望傳達出結束一段感情之後萎靡不振的生活。
Beautimode